Stanley Jordan.

Ti piace?

diciamo pure che è un innovatore e, insieme a lui, solo pochi fanno il tapping così bene.

Per il resto fa molte cover..... ma le fa molto bene.
Quindi.... si, mi piace.

Io non ne so nulla..
Mi racconti un po'? Grazie

stanleyjordan.com

La biografia inizia con un
"TRYING TO DESCRIBE STANLEY JORDAN IN SIMPLE TERMS is like trying to explain Einstein's Theory of Relativity in ten words or less."


The Technique
Stanley uses a technique called the “Touch” or “Tapping” technique to achieve a level of orchestral complexity equaling that of a keyboard instrument. He can sound like two or three guitarists at the same time with no overdubs or other studio techniques. He says, “Basically, I use 'hammer-ons' and 'pull-offs.' These techniques have been around for a long time.” But Stanley Jordan has raised this art to an unprecedented musical level, and has used it to express his unique musical vision. Other players, such as Jimmy Webster, Lenny Breau, Edward Van Halen and Emmett Chapman have also used the technique, but Stanley Jordan discovered and developed it independently, and today he is widely regarded as the first “Touch Virtuoso.” He also uses traditional flat-picking and finger picking. A good example is “When Julia Smiles” from the album Flying Home. Much of the attention surrounding his sudden rise to fame in the mid 80s was based on his technique. Because the technique is so startling, so strikingly unusual, it is easy to see how it can make a dominating first impression. But what has become more and more clear through the years, is that he has the musicianship and creativity to match. His music is embued with a combination of passion, sensitivity, humor and shear brilliance. His technique never overwhelms his music. In fact, he says that since the early 80s he has been focusing much more on expressiveness than on speed and complexity. Could it be then, that many of his listeners still have not heard the full range of his abilities? Certainly what they have heard has made his live concerts legendary. "


Se frequenti qke rassegna di musicisti da strada conosci Carlos Vamos che usa la stessa tecnica.
ANche lui molto bravo anche se, facendo molta attenzione, scorgi le differenze latine da quelle afro-americane tra i due.


Se nn trovi niente in giro fammi sapere così salgo su un pò di cd a roma.

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Scritto da: KuntaKinte77 31/01/2005 15.26
stanleyjordan.com

La biografia inizia con un
"TRYING TO DESCRIBE STANLEY JORDAN IN SIMPLE TERMS is like trying to explain Einstein's Theory of Relativity in ten words or less."


The Technique
Stanley uses a technique called the “Touch” or “Tapping” technique to achieve a level of orchestral complexity equaling that of a keyboard instrument. He can sound like two or three guitarists at the same time with no overdubs or other studio techniques. He says, “Basically, I use 'hammer-ons' and 'pull-offs.' These techniques have been around for a long time.” But Stanley Jordan has raised this art to an unprecedented musical level, and has used it to express his unique musical vision. Other players, such as Jimmy Webster, Lenny Breau, Edward Van Halen and Emmett Chapman have also used the technique, but Stanley Jordan discovered and developed it independently, and today he is widely regarded as the first “Touch Virtuoso.” He also uses traditional flat-picking and finger picking. A good example is “When Julia Smiles” from the album Flying Home. Much of the attention surrounding his sudden rise to fame in the mid 80s was based on his technique. Because the technique is so startling, so strikingly unusual, it is easy to see how it can make a dominating first impression. But what has become more and more clear through the years, is that he has the musicianship and creativity to match. His music is embued with a combination of passion, sensitivity, humor and shear brilliance. His technique never overwhelms his music. In fact, he says that since the early 80s he has been focusing much more on expressiveness than on speed and complexity. Could it be then, that many of his listeners still have not heard the full range of his abilities? Certainly what they have heard has made his live concerts legendary. "


Se frequenti qke rassegna di musicisti da strada conosci Carlos Vamos che usa la stessa tecnica.
ANche lui molto bravo anche se, facendo molta attenzione, scorgi le differenze latine da quelle afro-americane tra i due.


Se nn trovi niente in giro fammi sapere così salgo su un pò di cd a roma.

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Ora cerco in giro..


Poi ti dico cosa trovo..


E' Liama che è espertissima di chitarristi..

se non le trovi fammi sapere per tempo.


Cmq cerca eleanor rigby e autumn leaves.

Okkio: è una chitarra sola!!!

Mi metto a